Very occasionally you come across a book that impresses itself upon you so
heavily that the next several books you read seem contrived and inconsequential
by comparison. Eimear McBride’s story of a young woman’s relationship with her
brother, the on-going impact of his childhood brain tumour, their mother’s
hysterical Catholicism and the narrator’s increasingly chaotic and
self-annihilating sexuality is tremendously affecting because of the highly
original (and note-perfect) way in which the author has broken and remade
language to match the thought-patterns of the narrator. Short sentences like
grit in the mind, snatches of unassimilable experience, syntax fractured by
trauma, the uncertain, desperately repeated and painfully abandoned attempts to
wring a gram of meaning or even beauty out of compound tragedy, to carry on,
both living and telling, despite the impossibility of carrying on, situate the
reader right inside the narrator’s head. This book is upsetting, intense,
compassionate, revelatory, unflinching, and sometimes excoriatingly funny. It
gives access to what you would have thought inaccessible. You will be very
pleased to have read it.
(Oct 2013)

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